When someone produces a work rented for an employer or other party, the copyright belongs to the person for whom the work was created and not to the person who created it. Any agreement for the production of a factory under this agreement must explicitly use the term «temporary work». The parties may agree on common rights only by a signed agreement. The author of a creative work owns the copyright of that work at the time it is deposited in a «tangible» form, written on paper, stored in a computer file, recorded in audio form or attached to another readable medium. The author of a creative work may assign partial or complete rights in the work to others, for remuneration or other consideration. The copyright owner exclusively controls all the rights invested in an original work, so any small business related to works such as art, music or literature will likely look into copyright agreements. Initial ownership of copyright begins with the author of the work. The author does not need to order a copyright note on the work, nor does it need to register the copyright with the U.S. Copyright Office to be protected by copyright. Registration has certain advantages, including the possibility of taking legal action for copyright infringement and collecting punitive and actual damages. The co-authors of a joint work are co-owners of the copyright. Everyone has an equal interest in copyright, unless they prepare an agreement defining the interests of each co-author and the percentage of the factory`s income. The author of a work may transfer all or part of his copyright by a signed written agreement.
If the contract does not transfer all copyright, it is necessary to indicate which «exclusive rights» are transferred. These exclusive rights include the rights of reproduction of a work by any means, the rights of dissemination, the right of adaptation or derivative work, as well as the rights of performance or display of a work. For example, an author may agree to grant publication rights to a magazine or exclusive publishing rights to a publishing house. The author of a dramatic work may also transfer the public performance rights of a copyrighted work. The individual transfer or licensing of these exclusive rights gives the author flexibility in how he can make a commercial gain with his work. If, in an agreement, there is no time limit for the transfer of copyright, the author or his heirs can still terminate a transfer of copyright 35-40 years after the signing of the contract. In the case of a collection such as an anthology of short stories or a collection of published photos, the copyright on each article first belongs to the author of the article. To the extent that contributors do not expressly agree to transfer all or part of their copyright, the copyright owner of the collective work shall have only the privilege of reproducing and disseminating the contributions in the same series, within the framework of that particular collective work, as well as all subsequent revisions and collections.» . . .